It's all very young and hopeful- Morley'd go on to destroy rock with The Dead C and examine the leftovers with Gate- but man is it ever depressing 'cause the thing just sounds like a damn haunting. He's singing to nobody at all and the 'experimental' elements just tease and distract, all broken and falling apart.
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Every now and then I'll stumble onto this in my collection. Sometime I play it. Stirs a lot of aesthetic memories of when my ears were being shaped into the things they are today.
ReplyDeleteThis is great! :) Thank you so much!
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